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Amazon.com Review 'Throughout Ernest Hemingway's career as a writer,' says Larry W. Phillips in his introduction to Ernest Hemingway on Writing, 'he maintained that it was bad luck to talk about writing.' Hemingway seems to have courted bad luck. Phillips has amassed a slender book's worth of Hemingway's reflections on writing, culled from letters, books, interviews, speeches, and an unpublished manuscript. These musings are arranged into topics such as 'Advice to Writers,' 'Working Habits,' and 'Obscenity' (of which there is plenty here). Sometimes ponderous, other times offhand, these thoughts form a portrait of a man driven to create not solely the best writing he could, but the best writing, period. Hemingway craved exactness, both in his work and in the work of others; he strove to make every word necessary. 'Eschew the monumental,' he wrote to Maxwell Perkins in 1932. 'Shun the Epic. All the guys who can paint great big pictures can paint great small ones.' His aim? Mere perfection. 'I write one page of masterpiece to ninety one pages of shit,' he confided to F. Scott Fitzgerald in 1934. 'I try to put the shit in the wastebasket.' --Jane Steinberg Read more From Library Journal Yet another volume reproduced to celebrate old Hemingstein's centennial, this 1984 title offers Hemingway's comments on the writing game gleaned by editor Phillips from the author's numerous fiction and nonfiction works as well as his personal correspondence. It's not 'how-to' instructional advice but rather Ernesto's impressions on writing and those who do it. More of a fan's book than a practical guide. Copyright 1999 Reed Business Information, Inc. Read more About the Author Ernest Hemingway did more to change the style of English prose than any other writer in the twentieth century, and for his efforts he was awarded the Nobel Prize for literature in 1954. Publication of The Sun Also Rises and A Farewell to Arms immediately established Ernest Hemingway as one of the greatest literary lights of the twentieth century. As part of the expatriate community in 1920s Paris, the former journalist and World War I ambulance driver began a career that led to international fame. He covered the Spanish Civil War, portraying it in fiction in his brilliant novel For Whom the Bell Tolls, and he subsequently covered World War II. His classic novella The Old Man and the Sea won the Pulitzer Prize in 1953. He died in 1961. Read more
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